Naushad: Dard (1947/1977)

Here is a classic Naushad score. Dard is a totally female album. It is one of many albums by Naushad, released prior and in the early 50's, which follows the trend of being in majority female. One factor for this could possibly be that film heroines in the 40's would be more important than their male counterparts, thus having more importance in the film and story. But this would only be one of many factors explaining this tendency.

The "female voices" on Dard might be unknown to some of you, but they were immensely popular at the time and still are to the few who can appreciate the early singers and musicians of Hindi cinema (I hope that you are one of these people or are yet to become one soon). And except for Shamshad Begum whom I love (yet she does not standout on this record), for those of you who have no clue who the other two playback singers are, I will get you acquainted.

Suraiya, the actress and playback singer, was associated to Dev Anand with whom she had a love affair. The peek of her career was from 1947 to 1950. She reigned in this period, for the most part, because she filled the void of the earlier queen Noor Jehan who in 1947 left for Pakistan during Partition. Suraiya's short stay at the top was also due to the arrival of India's very own nightingale, Lata Mangeshkar, as her first big hit "Aayega Aanewala" from Mahal (1949) changed the whole meaning of playback singing. You could not just be good, you had to be great. But Suraiya is not merely the one who filled the gap in between these two legends. For me, she is a simple beauty that evoked rawness and realism with her voice and expressions. I see Lata as a perfect queen and Suraiya as a modest artist. Later she still worked, mostly as an actress, but she still sang for other and herself. She was not a trained singer but she will always be remembered as one of the last popular singing actresses.

Who is this Umadevi (Uma Devi)? Voh Kaun Hai? Well, perhaps Tun Tun might ring more of a bell. We might know her more for her comedic or secondary roles in later films but in the beginning of her career she aspired to be a singer, even threatening to kill herself if Naushad did not give her chance. He did, and she ended up with the hit of the film and one of the best songs "Afsana Likh Rahi Hoon".

"Chale Dil Ki Duniya" was my favorite from the start. Other tracks to listen to are "Beech Bhanwar", Ham Dard Ka Afsana.

Overall, I enjoyed it more and more every time I listened to it. It took me a while but I gave it a chance and it grew on me. Hope it does the same with you!

Tracks

Side 1

1. Suraiya: Beech Bhanwar

2. Umadevi: Afsana Likh Rahi Hoon

3. Shamshad Begum & Chorus: Ham Dard Ka Afsana

4. Suraiya: Ham The Tumhare Tum The Hamare

5. Umadevi: Aaj Machi Hai Dhoom

Side 2

6. Suraiya: Chale Dil Ki Duniya

7. Umadevi: Yeh Kaun Chala

8. Suraiya & Umadevi: Betab Hai Dil

9. Shamshad Begum: Yeh Afsana Nahin Zalim

10. Suraiya: Dil Dhadke

Lyrics: Shakeel Badayuni

Stella_1's score: 3.5/5

Get the music now: Naushad Dard

Naushad: Mela (1948/1980)

Mela's soundtrack creates a great mood inspired by romanticism, a certain "attractive despair", as I could name it, that is characteristic of a time in Hindi cinema, (and as far as I know maybe to other Indian cinemas as well) called the 40's. But this being 1948, I could also blame this "depression" on a certain, um, let me think...Partition. I think it's a mix of both the melancholy of the country's separation mirrored in the lover's separation that set the tone of the film and it's music. Also, the film visually looks like a filmed play as the director uses theatre to show the insignificance of the backdrop and the importance on concentrating more on the emotions and the characters (which Naushad picked up on and developed in his music). Also, I think, in those days, theatre had more prestige then cinema and early in the development of the film industry the only reference for cinema was theatre. Bizarrely enough, this does not take away from the realism, not portrayed visually but musically (emotionally as well) of the two main heroes Manju (Nargis) and Mohan (Dilip Kumar).

The 40's was the heyday of the "sad song". Not the kind you feel like skipping or fast forwarding, but the kind that people actually liked, and still like even today. One brilliant song "Gham Ka Fasana" is one of the finest examples of a great "sad song", and it is also my favorite track on the record. Naushad could have picked the melody queen, Lata or, Geeta, the empress of tragedy, but he chose Shamshad. I think he was looking for something raw. Her voice expressed the voice of the people, like the persevering village girl that wants more than what is destined for her. Mela is a high point in her career, although Shamshad's luck did not last long, when the "classical trend" came in the early 50's, Shamshad did not have the training to stay at the top.

Besides the classic sad song, some of Mela's most memorable tracks are, one of Mohd. Rafi's first big breaks with the song ''Yeh Zindagi Ke Mele'', and another one of my favourites ''Aai Sawan Rut ''. For the track ''Phir Aah Dilse Nikli'' you can almost imagine that you are sitting in a zeenat during the very late reign of the Mungals. (Well, at least that is what I imagined the vocals would have sounded like.)

Some other tracks I enjoy are the playful ''Pardes Balam Tum Jaoge'' and the duet ''Mera Dil Todnewale''. In the second one I mentioned, you can really hear the Talat Mehmood influence for sure, who was the usual voice of Dilip Kumar. He's not singing for Raj Kapoor that's for sure.

Overall good soundtrack, resembles Babul (my post) but let's Shamshad really shine trough. Inspired by emotion and the northern sound this album can seem dull on the first try, but the more you listen the better it gets. Enjoy!

Tracks:

Side 1

1. Shamshad Begum: Dharti Ko Aakash Pukare

2. Shamshad Begum & Mukesh: Main Bhanwra Too Hai Phool

3. Shamshad Begum, Mukesh & Chorus: Aai Sawan Rut

4. Shamshad Begum: Gham Ka Fasana

5. Shamshad Begum: Taqdeer Bani Bankar Bigdi

6. Zohra Ambala: Phir Aah Dilse Nikli

Side 2

7. Shamshad Begum: Mohan Ki Muraliya

8. Shamshad Begum: Pardes Balam Tum Jaoge

9. Shamshad Begum & Mukesh: Mera Dil Todnewale

10. Mohd. Rafi: Yeh Zindagi Ke Mele

11. Mukesh: Gae Ja Geet Milanke

12. Music

Lyrics: Shakeel Badayuni

Stella_1's score: 3.5/5

Get the music now: Naushad Mela

Naushad: Gunga Jumna (1961/1978)

The soundtrack to Gunga Jumna runs in the same veins as O. P. Nayyar's music for the 1957 film Naya Daur. The music also resembles some of Naushad's earlier work in Amar (1954), especially in what I like to call the "village girl songs". In short, the sound is not original, but that does not take away from the quality of Naushad's work. Gunga Jumna was nominated for a Filmfare award that year.

As far as the plot goes the now famous pair (after the success of Devdas in 1955, Naya Daur in 1957 and Madhumati in 1958) goes on to make another hit by playing lovers in early post-independent India. With Dilip Kumar playing the role of the hard working Gunga and Kumar's fictional well educated brother Jumna played by his real brother Nasir Khan, with Vyjayanthimala as the lovely and colourful heroine. Themes such as right vs wrong, village vs city and battling social status of the new educated vs uneducated India live together and create friction in the film.

But if we come back to the music, it is mostly based on folk, with it's regional instruments and simple melodies.

To start, we have the beautiful Helen doing some Kathak on "Tora Man Bada Papi", well it's more like dancing around (it's good dancing, but not Kathak) in a Kathak outfit, not actually dancing a classical Indian form. The song is kind of plain, it does not interest me much, but I like the video.


After, looking at the big difference between the lives of the two brothers (Ganga and Jumna) as children, the video reflex's the contrast present in society of the "new India". This patriotic song, "Insaf Ki Dagar Pe" is a little to idealistic, but at least it is looking to a bring future. Everyone needs hope.

My favorite song has to be "Do Hanson Ka Joda", I love the sarangi (or sarod, I'm not sure), its beautiful. It's sad, simple and sweet.

Two other songs that I like are "Jhanan Ghoongar Baje" and "Dagabaz Tori Batian", because they are joyful and playful.

"O Chhalia Re Chhalia" and "Naina Lad Jaihen" (in this one you get Dilip Kumar dancing, yay!) just didn't get me moving. Ok....my foot was taping, but I expected more.

Overall, there are more ordinary songs than good songs. The album flows very well and I am sure Naushad put effort into this soundtrack.

Tracks:

Side 1

1. Lata Mangeshkar: Dagabaz Tori Batian

2. Lata Mangeshkar, Mohd. Rafi and Chorus: O Chhalia re Chhalia

3. Lata Mangeshkar & Chorus: Jhanan Ghoongar Baje

4. Mohd. Rafi: Naina Lad Jaihen

Side 2

5. Lata Mangeshkar: Do Hanson Ka Joda

6. Hemant Kumar & Chorus: Insaf Ki Dagar Pe

7. Asha Bhosle: Tora Man Bada Papi

8. Lata Mangeshkar: Dhoondo Dhoondo Re Sajna

Lyrics: Shakeel Badayuni

Stella_1's score: 3.5/5

Get the music now: Naushad Gunga Jumna

Naushad: Babul (1950/1982)

Sorry, I seem to be on a roll for uploading mediocre music theses days and I am sad to say that Babul is not an exception (I will make it up on my next post). The album has 12 songs, and Naushad, who produced the film, should have sacrificed quantity and concentrated on quality. But I did notice some effort by Naushad to make some good songs that strengthen Dilip Kumar's romantic ''doomed lover/tragic hero'' persona.


Just one thing before I start on the songs. Shamshad Begum and Talat Mahmood vocals on this album represent 80% of what is good on the album. The other 20% is for the musicians and Naushad, who should have worked a bit harder. Come on Naushad, it makes me sad when I know you can do so much better!

Anyway, ''Huns Walo Ko'' is great to listen too, but the classic Babul song is ''Milte Hi Ankhen''. That song made me buy the album, but it's the only one that really got me.

The second side is better. It has nice duets like ''Nadi Kinare'' sung by Shamshad Begum and Talat Mahmood and ''Kisi Ke Dil Men'' sung by Lata Mangeshkar and Shamshad Begum. I really like the vocal combinations in both of these songs. I find that they compliment each other well.


The tragic Dilip Kumar song, ''Mera Jeevan Sathi'' has to be my second favorite, with Talat Mahmood's striking vocals and great melody.


Tracks:

Side 1
1. Lata Mangeshkar: Panchhi Ban Men
2. Talat Mahmood: Husn Walon Ko
3. Shamshad Begum: Na Socha Tha Yeh
4. Talat Mahmood & Shamshad Begum: Milte Hi Ankhen
5. Lata Mangeshkar: Lagan More Man Ki
6. Shamshad Begum & Chorus: Chhod Babul Ka Ghar


Side 2
7. Shamshad Begum & Talat Mahmood: Duniya Badal Gayi
8. Shamshad Begum & Chorus: Dhadke Mera Dil
9. Talat Mahmood, Shamshad Begum & Mohd. Rafi: Nadi Kinare
10. Shamshad Begum: Jadoo Bhare Nainon Men
11. Shamshad Begum & Lata Mangeshkar: Kisi Ke Dil Men
12. Talat Mahmood: Mera Jeevan Sathi


Lyrics: Shakeel Badayuni

Stella_1's score: 3 .5/5

Get the music now: Naushad Babul

Naushad: Ram aur Shyam (1967)

I don't have lots to say about the Ram aur Shyam record except that the cover of the album is great but most of the songs are disappointing. It's as if Naushad is using an old formula that doesn't work anymore or maybe he was just tiered and didn't put much effort into it . In the 60's Ram aur Shyam is nothing compared to his classics like Leader(1964) or Ganga Jumna(1961).

There are two songs I like on the record. The first one is ''Dhire Dhire Bol Koyee Sun Lega'' mainly because it's the most danceable song on the record, but honestly it doesn't get me moving. Oh! By the way, if you watch the video, the main female dancer is the golden head bobber in Gumnaam's ''Jen Penchan Ho''.

The second song that I find acceptable is ''O Balam Tere Pyar Ki Thandi Aag Men''. It has a nice melody

There is no spark to this album. I couldn't even listen to the hole thing in one go. I hope that you enjoy this album more then I did, I know it's supposed to be a classic.

Tracks:

Side 1

1. Mohd. Rafi: Aaj Ki Raat Mere Dil Ki Salami Lele

2. Asha Bhosle, Mahendra Kapoor & Chorus: Dhire Dhire Bol Koyee Sun Lega

3. Mohd. Rafi & Asha Bhosle: O Balam Tere Pyar Ki Thandi Aag Men

Side 2

4. Lata Mangeshkar: Maine Kab Tumse Kaha Tha

5. Lata Mangeshkar & Mohd. Rafi: Main Hoon Saaqi Tu Hai Sharabi

6. Mohd. Rafi & Chorus: Aayee Hai Baharen Mite Zulmo Sitam

7. Asha Bhosle & Chorus: Aaj Sakhi Ri More Piya Ghar Aaye Re

Lyrics: Shakeel Badayuni

Stella_1's score: 3/5

Get the music now: Naushad Ram aur Shyam

Naushad: Andaz (1949/1971)

I liked, Andaz, the movie (mostly because the cast comprises of the 3 greatest hindi actors of all time, Dilip Kumar, Raj Kapoor and Nargis, all in one film) but the music not so much. Frankly, I was disappointed. Usually Naushad delivers, but sadly not this time.

The songs aren't worth mentioning one at a time. The album in it's entirety is boring and feels flat. The only two songs that are acceptable, are the first and the last. ''Jhoom Jhoom Ke Nacho Aaj'' is a classic, then the last one and my favorite is ''Dar Na Mohabbat Karle''. Is it just me or I can't hear any piano, yet in the film (young and skinny) Dilip Kumar is playing that instrument. Ah whatever, I don't care because this is a great Shamshad Begum and Lata duet. I love it when they sing together.





Tracks:


Side 1
1. Mukesh: Jhoom Jhoom Ke Nacho Aaj
2. Mukesh: Tu Kahe Agar
3. Mukesh: Toote Na Dil Toote Na
4. Lata Mangeshkar: Tod Diya Dil Mera
5. Lata Mangeshkar: Koi Mere Dil Men



Side 2
6. Lata Mangeshkar: Uthaye Ja Umke Sitam
7. Lata Mangeshkar & Mohd. Rafi: Yun To Apas Men Bigadte
8. Mukesh: Hum Aaj Kahin Dil Kho Baithe
9. Lata Mangeshkar & Chorus: Meri Ladli
10. Lata Mangeshkar & Shamshad Begum: Dar Na Mohabbat Karle



Lyrics: Majrooh

Stella_1's score: 3/5

Get the music now: Naushad Andaz

Naushad: Leader (1964)

Naushad has some suprises on this album. Leader brings changes in his style that is defined mostly by indian classical and folk music. This soundrack is like Naushad à la S .Dev Burman.

Aspecially, with songs like ''Mujhe Dunyawalo Deedar Hai'', ''Ajkal Shauqe'', ''Hameen Se Mohabbat'' , and ''Aj Hai Pyar Ka Faisla''.The first one is more jazzy and typical 60's bollywood. The last one has a simple melody but is accompanied by a wacky video. It's great stuff.


But you still can hear the old Naushad, in''Ek Shahinsha Ne Banavake'' also mostly in the instrumental intro to ''Dayya Re Dayya'' which is, by far, the best song on the album. S. Dev Burman takes those horns as an intro to the song Hothon Pe Aisi Atba , three years later in Jewel Thief (1967)


What makes Leader special and a good soundtrack too some and a bad soundtrack too others, is the fact that it mirrors the transition between the old 50's bollywood and the new jazzy rock'N'roll sounds of the 60's. It's not really one or the other. I personally am also a bit in between, I don't love it, and I don't hate it. But it sure is a classic worth listening too. Tell me what you think.

Tracks:

Side 1
1. Lata Mangeshkar & Mohd. Rafi: Tere Husn Ki
2. Lata Mangeshkar & Mohd. Rafi: Ek Shahinshah Ne Banavake
3. Mohd. Rafi: Mujhe Dunyawalo Deedar Hai
4. Asha Bhosle & Mohd. Rafi: Ajkal Shauqe

Side 2
5. Asha Bhosle, Mohd. Rafi & Chorus: Dayya Re Dayya
6. Lata Mangeshkar: Aj Hai Pyar Ka Faisla
7. Mohd. Rafi: Hameen Se Mohabbat
8. Mohd. Rafi & Chorus: Apni Aazadi Ko Ham

Lyrics: Shakeel Badayuni

Stella_1's score: 3.5/5

Get the music now: Naushad Leader

Naushad: Amar (1954/1977)

I know, an other one from Naushad, Amar is a pretty good soundtrack. There are few of the songs that I really got addicted too. The first is ''Tere Sadqe Balam'' it sounds great and also means something. In short, in means, take advantage of every happy moment because you never know if you will have an other like it. The second I am addicted too is ''Na Shikwa Hai Koi'' , I just love to listen to it. I wish I knew what it meant? (probably something sad)



All the songs have female vocals except for one. "Insaf Ka Mandir Yeh" is not even sung by Dilip Kumar's character, yet it describes his emotional struggle. It's a good song, but I find it more meaningful when I watch the clip.


No sitars for poor Nimmi's songs. "Oodi Oodi Chhai Ghata" is playful."Umangon Ko Sakhi" is nice, and the village song "Ek Baat Kahoon Mere Piya" is boring.

For "The sad songs" like "Na Milta Gham To" and "Janewale Se Mulaqat", I like "Radha Ke Pyare Krishna Kanhai" the best.

Basically this album is for people who like sweet soft melodies. Tell me what you think.

Tracks:

Side 1
1. Lata Mangeshkar & Chorus: Oodi Oodi Chhai Ghata
2. Mohd. Rafi & Chorus: Insaf Ka Mandir Hai Yeh
3. Asha Bhosle: Radha Ke Pyare Krishna Kanhai
4. Lata Mangeshkar & Chorus: Umangon Ko Sakhi
5. Lata Mangeshkar: Janewale Se Mulaqat
6. Dance Music

Side 2
7. Lata Mangeshkar: Tere Sadqe Balam
8. Asha Bhosle: Ek Baat Kahoon Mere Piya
9. Lata Mangeshkar: Khamosh Hai Khewanhar Mera
10. Lata Mangeshkar: Na Shikwa Hai Koi
11. Lata Mangeshkar: Na Milta Gham To

Lyrics: Shakeel Badayuni

Stella_1's score: 3.5/5

Get the music now: Naushad Amar

Naushad: Kohinoor (1960/1978)

Sorry, not much to say about Kohinoor, the title means Diamond by the way, besides that it's sweet. It's not Naushad's best work, it's nothing compared to "Baiju Bawra" and "Mughal-E-Azam"

The playback singers are great. I enjoyed the first track "Jadoogar Qatil" , it's a mix of melodies as well as a mix of sounds caused by the of indian and western instruments. But my favorite on the album is "Tan Ragloji Aaj Man Ranglo" , a beautiful duet sung by Lata and Mohd. Rafi (my favorite male playback singer). The last song, "Madhuban Men Radhika Nache" also deserves mention, it's a 2 part "grand finale" that is great to listen too, what I like about it is the tabla that embellishes the accelerating rhythm.




If you watch the clips, Dilip Kumar is great , it really looks like he is playing the sitar. It's so rare too see the actors actually playing the instruments or at least imitating realistically a musician.

Tracks:

Side 1
1. Asha Bhosle : Jadoogar Qatil
2. Lata Mangeshkar : Dil Me Bajin pyar Ki Shehnaiyan
3. Mohd. Rafi, Lata Mangeshkar & Chorus : Tan Rangloji Aaj Man Ranglo
4. Lata Mangeshkar & Mohd. Rafi : Do Sitaron Ka Zamin Par

Side 2
5. Lata Mangeshkar & Mohd. Rafi : Koi Pyar Ki Dekhe Jadoogari
6. Mohd. Rafi : Dhal Chuki Sham-E-Gam
7. Mohd. Rafi : Madhuban Men Radhika Nache - Part 1
8. Mohd. Rafi : Madhuban Men Radhika Nache - Part 2

Lyrics: Shakeel Badayuni

Stella_1's score: 3.5/5

Get the music now: Naushad Kohinoor (there are only 7 tracks, because 7 and 8 are together)

Naushad: Baiju Bawra (1952/1975)

Baiju Bawra is another soundtrack by Naushad. If you liked Mughal-E-Azam there is a very strong chance that you will like this album as well. The first song, "Tori Jai Jai Kartar" gave me a bad first impression of the record, but don't worry it's the worst song of the album. It's a raga sung by Ustad Amir Khan, and yes I still find his singing annoying. It's a good thing it's a short song. The second song is my favourite. I know I said that I prefered Shamshad Begum's voice to Lata's in the song "Teri Mehfil Men Qismet Azmakar" (Mughal-e-Azam) but at the end of "Doi Koi Gae" Lata's voice really over shadows Shamshad's.

"Mohe Bhool Gaye Sanwariya" is a little less classical but focuses on the melodies and emotion. Lata'a voice is great, in a weird haunting way.

I usually like upbeat tracks, but "Too Ganga Ki Mauj" is an example of a good slow song. My favourite parts are when there is some "snake charmer flute", and I especially like the end when Lata and the chorus sing, even if it's just for a little moment.

In "O Duniya Ke Rakhwale", the background vocals, in the beginning part, really give a kick to the song. Mohd. Rafi's voice is the essence of the tune. Naushad should have put a song like this for Dilip Kumar's caracter in Mughal-e-Azam.

"Insaan Bano" and "Bachpan Ki Mohabbat" don't reach out and get me, there is nothing that special about them."Man Tarpat Hari Darshan Ko Aaj" is good when the drums and party start, it's good.

"Jhoole Men Pawan Ke Aai Bahar" is a good song, very playful. If you watch the clip, at the end of the video they are standing together and you can see the sky. It makes me think of this song (at the end of the clip, as well, you can see the silhouettes and the sky) in Mother india (1957)

If you're like me, and you don't really like Ustad Amir Khan's singing, I find that both "Sargam" and "Aaj Gawat Man Mero" are acceptable. He's not that bad.

For the score I would have given it 4/5, but I gave it 3.5/5 because I am not attracted to listen to this record over and over again. I listen to a few songs from time to time. I know the music is very good, I guess it's just not as good as Mughal-e-Azam, for me anyway. But it's deffinitely worth a listen.

*Update (January 08) Ok, now that I have gotten used to more classical soundktracks, I absolutly love this album. It just took me some time. 4/5!

Tracks:

Side 1
1. Ustad Amir Khan: Tori Jai Jai Kartar
2. Lata Mangeshkar, Shamshad Begum, Mohd. Rafi & Chotus: Door Koi Gae
3. Mohd. Rafi, Lata Mangeshkar & Chorus: Too Ganga Ki Mauj
4. Lata Mangeshkar: Mohe Bhool Gaye Sanwariya
5. Lata Mangeshkar & Mohd. Rafi: Jhoole Men Pawan Ke Aai Bahar
6. Ustad Amir Khan: Sargam

Side 2
7. Mohd. Rafi: Man Tarpat Hari Darshan Ko Aaj
8. Lata Mangeshkar: Bachpan Ki Mohabbat
9. Mohd. Rafi: O Duniya Ke Rakhwale
10. Mohd. Rafi: Insaan Bano
11. Ustad Amir Khan & pt.d.v. Paluskar: Aaj Gawat Man Mero

Lyrics: Shakeel Badayuni

Stella_1's score: 4/5

Get the music now: Naushad Baiju Bawra

Naushad : Mughal-E-Azam (1960)

Even if this is a Bollywood Classic, it took me some time to get into this record, it was my first classical inspired soundtrack. It goes up and down, slow and fast, I was a little confused for what my western ear was used to hearing. But once you get it, you really get it. Evidently, "Pyar Kiya To Darna Kya" is the movie anthem. Naushad is a genius.

Mughal-E-Azam took 10 years to finish (1950 to 1960), so the soundtrack has nothing really from the 60's. Clearly based on northern Indian classical music, you can hear the tabla, sitars and Kathak Ghungroos (Classical Dance Bells). The two last tracks sung by Ustad Bade Gulam Ali Khan, are pure classical, but I'm not sure if I really like them. I don't know if I still need to get used to them or If it's just plain annoying. I don't know ?!

"Teri Mehfil Men Qismet Azmakar", is great, it's a singing battle, woh, and I honestly prefer Shamshad Begum's voice to Lata Mangeshkar's, in the song anyway.

My favorites songs have to be: "Mohabbat Ki Jhooti Kahani", because it just beautiful. "Mohe Panghat Pe" , I just love the sounds of sitars, bells, great vocals (and strangely a piano note just before the singing starts ?!) "Yeh Dil Ki Lagi Kam Kya Hogi" , there is nothing that special about this track, but I just like it. I also like "Aae Mohabbat Zindabad", because it's the only male vocal song I like on the album.

Plus for more info on Mughal-E-Azam, there is a website, because the movie just got rereleased in 2004: Mughal-E-Azam colorized, there is some info on the music too.

Tracks:

Side 1
1. Lata Mangeshkar: Mohabbat Ki Jhooti Kahani
2. Lata Mangeshkar: Pyar Kiya To Darna Kya
3. Lata Mangeshkar: Bekas Pe Karam Kijiye
4. Lata Mangeshkar: Khuda Nigheban Ho
5. Mohd. Rafi & Chorus: Aae Mohabbat Zindabad

Side 2
6. Lata Mangeshkar: Mohe Panghat Pe
7. Lata Mangeshkar & Chorus: Yeh Dil Ki Lagi Kam Kya Hogi
8. Lata Mangeshkar & Shamshad Begum: Teri Mehfil Men Qismet Azmakar
9. Ustad Bade Gulam Ali Khan: Prem Jogan Ban Ke
10. Ustad Bade Gulam Ali Khan: Shubh Din Ayo

Lyrics: Shakeel Badayuni & Naushad

Stella_1's score: 4/5

Get the Music Now : Naushad Mughal-E-Azam