Naushad: Dard (1947/1977)

Here is a classic Naushad score. Dard is a totally female album. It is one of many albums by Naushad, released prior and in the early 50's, which follows the trend of being in majority female. One factor for this could possibly be that film heroines in the 40's would be more important than their male counterparts, thus having more importance in the film and story. But this would only be one of many factors explaining this tendency.

The "female voices" on Dard might be unknown to some of you, but they were immensely popular at the time and still are to the few who can appreciate the early singers and musicians of Hindi cinema (I hope that you are one of these people or are yet to become one soon). And except for Shamshad Begum whom I love (yet she does not standout on this record), for those of you who have no clue who the other two playback singers are, I will get you acquainted.

Suraiya, the actress and playback singer, was associated to Dev Anand with whom she had a love affair. The peek of her career was from 1947 to 1950. She reigned in this period, for the most part, because she filled the void of the earlier queen Noor Jehan who in 1947 left for Pakistan during Partition. Suraiya's short stay at the top was also due to the arrival of India's very own nightingale, Lata Mangeshkar, as her first big hit "Aayega Aanewala" from Mahal (1949) changed the whole meaning of playback singing. You could not just be good, you had to be great. But Suraiya is not merely the one who filled the gap in between these two legends. For me, she is a simple beauty that evoked rawness and realism with her voice and expressions. I see Lata as a perfect queen and Suraiya as a modest artist. Later she still worked, mostly as an actress, but she still sang for other and herself. She was not a trained singer but she will always be remembered as one of the last popular singing actresses.

Who is this Umadevi (Uma Devi)? Voh Kaun Hai? Well, perhaps Tun Tun might ring more of a bell. We might know her more for her comedic or secondary roles in later films but in the beginning of her career she aspired to be a singer, even threatening to kill herself if Naushad did not give her chance. He did, and she ended up with the hit of the film and one of the best songs "Afsana Likh Rahi Hoon".

"Chale Dil Ki Duniya" was my favorite from the start. Other tracks to listen to are "Beech Bhanwar", Ham Dard Ka Afsana.

Overall, I enjoyed it more and more every time I listened to it. It took me a while but I gave it a chance and it grew on me. Hope it does the same with you!

Tracks

Side 1

1. Suraiya: Beech Bhanwar

2. Umadevi: Afsana Likh Rahi Hoon

3. Shamshad Begum & Chorus: Ham Dard Ka Afsana

4. Suraiya: Ham The Tumhare Tum The Hamare

5. Umadevi: Aaj Machi Hai Dhoom

Side 2

6. Suraiya: Chale Dil Ki Duniya

7. Umadevi: Yeh Kaun Chala

8. Suraiya & Umadevi: Betab Hai Dil

9. Shamshad Begum: Yeh Afsana Nahin Zalim

10. Suraiya: Dil Dhadke

Lyrics: Shakeel Badayuni

Stella_1's score: 3.5/5

Get the music now: Naushad Dard

Kalyanji Anandji: Upkar (1967)

Even though I do not admire Manoj Kumar as an actor, I appreciate the films he has directed. Upkar as a film, is very evident in theme yet it’s experimental in its photo direction. And this is particularly evident in the song sequences with even make the music more notable (and sadly not the other way around).

The story is that of a young man played by Manoj Kumar, who is forced to sacrifice his education for his brother's played by Prem Chopra (looking quite handsome indeed!). Chopra’s character goes away to study and later returns as a young westernized and selfish man. Many of the themes in the film; East vs. West, Country vs. City and Rich vs. Poor are reflected in the brothers’ relationship.

On the side of the Indian simpleton with superior moral values is the patriotic song "Mere Desh Ki Dharati". It reminds me of the “we proudly work our land” type of patriotism found in Mother India (1957). The cover of the album also shows Manoj’s character admiring Nehru while holding a plow as in THE song of the album.

You don't need fancy lounges or glamorous city clubs, just check and see how much "Punjabi style" fun you can have with the village song "Aaye Jhoomke Basant". I dare you not to dance!

The next song "Gulabi Raat Gulabi" is associated with the "EVIL" West! (you know, Wizard of Oz's Wicked Witch of the West type of West or the Pardes (Sharukh Khan version) type of West). But it's one of the best songs on the album, sung by the one and only Vamp Queen Asha Bhosle. The song is divided into two parts. Asha sings to the consumerist westernized party goers and the second part is sung by Mohd. Rafi as images of hungry and miserable street goers are shown as they try and survive in the slums.

No sharabi (alcohol) for you mister!

Also, lend an ear to "Kasme Wade Pyar Wafa" and "Diwano Se Mat Puchho".

It's a classic film and soundtrack, but not one of my personal favourites. I absolutely recommend watching the film, Kamini Kaushal and Pran are amazing!

Take that Slumdog Millionaire!

Tracks:


Side 1

1. Mahendra Kapoor & Chorus: Mere Desh Ki Dharati

2. Asha Bhosle, Manna Dey, Mahendra Kapoor, Shamshad, Sunder & Chorus: Aaye Jhoomke Basant
3. Manna Dey: Kasme Wade Pyar Wafa

Side 2

4. Mukesh: Diwano Se Mat Puchho
5. Lata Mangeshkar: Har Khushi Ho Wahan
6. Asha Bhosle & Mohd. Rafi: Gulabi Raat Gulabi

7. Mahendra Kapoor & Chorus: Mere Desh Ki Dharati

Lyrics: Gulshan Bawra, Prem Dhawan, Qamar Jalalabadi and Indiwar

Stella_1's score: 3/5

Get the music now: Kalyandi Anandji Upkar (link to Music From the Third Floor, because my computer is STILL broken.)

Naushad: Mela (1948/1980)

Mela's soundtrack creates a great mood inspired by romanticism, a certain "attractive despair", as I could name it, that is characteristic of a time in Hindi cinema, (and as far as I know maybe to other Indian cinemas as well) called the 40's. But this being 1948, I could also blame this "depression" on a certain, um, let me think...Partition. I think it's a mix of both the melancholy of the country's separation mirrored in the lover's separation that set the tone of the film and it's music. Also, the film visually looks like a filmed play as the director uses theatre to show the insignificance of the backdrop and the importance on concentrating more on the emotions and the characters (which Naushad picked up on and developed in his music). Also, I think, in those days, theatre had more prestige then cinema and early in the development of the film industry the only reference for cinema was theatre. Bizarrely enough, this does not take away from the realism, not portrayed visually but musically (emotionally as well) of the two main heroes Manju (Nargis) and Mohan (Dilip Kumar).

The 40's was the heyday of the "sad song". Not the kind you feel like skipping or fast forwarding, but the kind that people actually liked, and still like even today. One brilliant song "Gham Ka Fasana" is one of the finest examples of a great "sad song", and it is also my favorite track on the record. Naushad could have picked the melody queen, Lata or, Geeta, the empress of tragedy, but he chose Shamshad. I think he was looking for something raw. Her voice expressed the voice of the people, like the persevering village girl that wants more than what is destined for her. Mela is a high point in her career, although Shamshad's luck did not last long, when the "classical trend" came in the early 50's, Shamshad did not have the training to stay at the top.

Besides the classic sad song, some of Mela's most memorable tracks are, one of Mohd. Rafi's first big breaks with the song ''Yeh Zindagi Ke Mele'', and another one of my favourites ''Aai Sawan Rut ''. For the track ''Phir Aah Dilse Nikli'' you can almost imagine that you are sitting in a zeenat during the very late reign of the Mungals. (Well, at least that is what I imagined the vocals would have sounded like.)

Some other tracks I enjoy are the playful ''Pardes Balam Tum Jaoge'' and the duet ''Mera Dil Todnewale''. In the second one I mentioned, you can really hear the Talat Mehmood influence for sure, who was the usual voice of Dilip Kumar. He's not singing for Raj Kapoor that's for sure.

Overall good soundtrack, resembles Babul (my post) but let's Shamshad really shine trough. Inspired by emotion and the northern sound this album can seem dull on the first try, but the more you listen the better it gets. Enjoy!

Tracks:

Side 1

1. Shamshad Begum: Dharti Ko Aakash Pukare

2. Shamshad Begum & Mukesh: Main Bhanwra Too Hai Phool

3. Shamshad Begum, Mukesh & Chorus: Aai Sawan Rut

4. Shamshad Begum: Gham Ka Fasana

5. Shamshad Begum: Taqdeer Bani Bankar Bigdi

6. Zohra Ambala: Phir Aah Dilse Nikli

Side 2

7. Shamshad Begum: Mohan Ki Muraliya

8. Shamshad Begum: Pardes Balam Tum Jaoge

9. Shamshad Begum & Mukesh: Mera Dil Todnewale

10. Mohd. Rafi: Yeh Zindagi Ke Mele

11. Mukesh: Gae Ja Geet Milanke

12. Music

Lyrics: Shakeel Badayuni

Stella_1's score: 3.5/5

Get the music now: Naushad Mela

Madan Mohan: Madhosh (1951/1982)

Madan Mohan's Madhosh really surprised me. The cover seemed so dull, so I didn't listen to it entirely until a few weeks ago when I just let it play. Wow, it really is good. But most of all, it's different. The only other music of Mohan's that I have heard and loved is the soundtrack to Veer-Zaara (2004) which took old songs of his and updated them for modern viewers.

The most popular and what has to be my favorite song of Madhosh is the only male track ''Meri Yaad Men Tum Na Aansoo Bahana'' sung by the great Talat Mahmood.

I enjoy all the tracks except for the last two which I find plain and unnecessary (depending on the context the tracks are probably necessary for narrative structure of the movie, but since I haven't seen it, so when I say unnecessary it means too the record as a musical whole).

Anyway, the first track ''Hamen Ho Gaya Tumse'' is very nice. It is a song that is at the time modern but still has a very prominent 40's sound. The slithering and sinister clarinet mixed with Lata's vocals make it delightful to listen to.

Also enjoyable are the Dil Dhak Dhak-1 and 2. They are a mix of tribal back vocals and sweet principles voices. The contrast is greater for Dil Dhak Dhak-2 when Lata Mangeshkar is the main singer. The instuments also clash with a mix on indian and western instuments. At the end, during the solo instumental part of Dil Dhak Dhak-2, it reminds me of the title music from Detective by Mukul Roy (Geeta Dutt's brother). Link to Music from the third floor's review and music.



Two lovely songs are ''Meri Dil Ki Nagariya Men'' and ''Chhode Mujhe Na Ja''. They are both calm and melancholic, I especially like the echo effect in the second one.



''Pagadi Pahenke Turredar'' is ok, but you know me I love Shamshad so much, but sadly I was disappointed. Mohan did not use her to her full potential.




Just to point out, the record has some of the best playback singers like Shamshad, Mahmood and also Lata (at her prime in the 50's, I think anyway). But for the third track ''Dil Dhak Dhak-1''I have one question, who is this Miss Chand? I haven't heard of her before and I can't find any info. If anyone knows about this fine singer, let me know.



Tell me what you think!



Tracks:


Side 1

1. Lata Mangeshkar: Hamen Ho Gaya Tumse
2. Talat Mahmood: Meri Yaad Men Tum Na Aansoo Bahana
3. Miss Chand & Chorus: Dil Dhak Dhak-1
4. Lata Mangeshkar & Chorus: Dil Dhak Dhak-2



Side 2

5. Lata Mangeshkar: Meri Dil Ki Nagariya Men
6. Lata Mangeshkar: Chhod Mujhe Na Ja
7. Shamshad Begum & Chorus: Pagadi Pahenke Turredar
8. Lata Mangeshkar: Meri Ankhon Ki Neend Legay
9. Lata Mangeshkar: Jab Aanewale Aate Hain



Lyrics: Raja Mehdi Ali Khan



Stella_1's score: 4/5



Get the music now: Madan Mohan Madhosh

O. P. Nayyar: Kismat (1968)

At the first glance, you know that this record is certainly not like Phagun. Instead, Kismat incarnates the typical rebel O. P. Nayyar style. His music was rebellious for it's time, but now it's pretty clean, so let's just call his style non traditional. On this record he is inspired by some jazzy rock'n'roll of the 60's with a little folk as well.


In general the songs are very guitar based. You have the almost county "Lakhon Hain Yahan Dilwale" and the bouncy "Aankhon Men Qayamat Ke Kajal".You also get great instrumentals with "One Two three Baby" which is also available on Bombshell Baby of Bombay vol.2, that you can find on Bombay-Connection Records.

My favorites are the Punjabi inspired "Karja Mohhabat Wala" and the heroine's drunk song "Aao Huzoor Tumko".



I understand that O. P. Nayyar makes the music and melodies simple as to make it easy for the viewers to instantly connect with the songs. But from my personal perspective, I feel that the music is in need of multiple layers, but he doesn't provide that. I prefer O. P. Nayyar's earlier work such as Aar Par, Tumsa Nahin Dekha, Paghun and Naya Daur. In the 60's he was popular because he did not follow trends, he made them. But I have a feeling that during this period when Kismat came out, he was just copying his own music, making this record unoriginal and a bit boring to listen to today.


But I still like to rock'n'roll from time to time. So Baby, tell me what you think!


Tracks:


Side 1
1. Mahendra Kapoor: Aankhon Men Qayamat Ke Kajal
2. Asha Bhosle & Shamshad Begum: Karja Mohhabat Wala
3. Title Music


Side 2
4. Asha Bhosle: Aao Huzoor Tumko
5. Mahendra Kapoor: Lakhon Hain Yahan Dilwale
6. Mahendra Kapoor: One Two Three Baby


Lyrics: Noor Dewasi & S. H. Bihari


Stella_1's score: 3 /5


Get the music now: O. P. Nayyar Kismat

Naushad: Babul (1950/1982)

Sorry, I seem to be on a roll for uploading mediocre music theses days and I am sad to say that Babul is not an exception (I will make it up on my next post). The album has 12 songs, and Naushad, who produced the film, should have sacrificed quantity and concentrated on quality. But I did notice some effort by Naushad to make some good songs that strengthen Dilip Kumar's romantic ''doomed lover/tragic hero'' persona.


Just one thing before I start on the songs. Shamshad Begum and Talat Mahmood vocals on this album represent 80% of what is good on the album. The other 20% is for the musicians and Naushad, who should have worked a bit harder. Come on Naushad, it makes me sad when I know you can do so much better!

Anyway, ''Huns Walo Ko'' is great to listen too, but the classic Babul song is ''Milte Hi Ankhen''. That song made me buy the album, but it's the only one that really got me.

The second side is better. It has nice duets like ''Nadi Kinare'' sung by Shamshad Begum and Talat Mahmood and ''Kisi Ke Dil Men'' sung by Lata Mangeshkar and Shamshad Begum. I really like the vocal combinations in both of these songs. I find that they compliment each other well.


The tragic Dilip Kumar song, ''Mera Jeevan Sathi'' has to be my second favorite, with Talat Mahmood's striking vocals and great melody.


Tracks:

Side 1
1. Lata Mangeshkar: Panchhi Ban Men
2. Talat Mahmood: Husn Walon Ko
3. Shamshad Begum: Na Socha Tha Yeh
4. Talat Mahmood & Shamshad Begum: Milte Hi Ankhen
5. Lata Mangeshkar: Lagan More Man Ki
6. Shamshad Begum & Chorus: Chhod Babul Ka Ghar


Side 2
7. Shamshad Begum & Talat Mahmood: Duniya Badal Gayi
8. Shamshad Begum & Chorus: Dhadke Mera Dil
9. Talat Mahmood, Shamshad Begum & Mohd. Rafi: Nadi Kinare
10. Shamshad Begum: Jadoo Bhare Nainon Men
11. Shamshad Begum & Lata Mangeshkar: Kisi Ke Dil Men
12. Talat Mahmood: Mera Jeevan Sathi


Lyrics: Shakeel Badayuni

Stella_1's score: 3 .5/5

Get the music now: Naushad Babul

Naushad: Andaz (1949/1971)

I liked, Andaz, the movie (mostly because the cast comprises of the 3 greatest hindi actors of all time, Dilip Kumar, Raj Kapoor and Nargis, all in one film) but the music not so much. Frankly, I was disappointed. Usually Naushad delivers, but sadly not this time.

The songs aren't worth mentioning one at a time. The album in it's entirety is boring and feels flat. The only two songs that are acceptable, are the first and the last. ''Jhoom Jhoom Ke Nacho Aaj'' is a classic, then the last one and my favorite is ''Dar Na Mohabbat Karle''. Is it just me or I can't hear any piano, yet in the film (young and skinny) Dilip Kumar is playing that instrument. Ah whatever, I don't care because this is a great Shamshad Begum and Lata duet. I love it when they sing together.





Tracks:


Side 1
1. Mukesh: Jhoom Jhoom Ke Nacho Aaj
2. Mukesh: Tu Kahe Agar
3. Mukesh: Toote Na Dil Toote Na
4. Lata Mangeshkar: Tod Diya Dil Mera
5. Lata Mangeshkar: Koi Mere Dil Men



Side 2
6. Lata Mangeshkar: Uthaye Ja Umke Sitam
7. Lata Mangeshkar & Mohd. Rafi: Yun To Apas Men Bigadte
8. Mukesh: Hum Aaj Kahin Dil Kho Baithe
9. Lata Mangeshkar & Chorus: Meri Ladli
10. Lata Mangeshkar & Shamshad Begum: Dar Na Mohabbat Karle



Lyrics: Majrooh

Stella_1's score: 3/5

Get the music now: Naushad Andaz

Naushad: Baiju Bawra (1952/1975)

Baiju Bawra is another soundtrack by Naushad. If you liked Mughal-E-Azam there is a very strong chance that you will like this album as well. The first song, "Tori Jai Jai Kartar" gave me a bad first impression of the record, but don't worry it's the worst song of the album. It's a raga sung by Ustad Amir Khan, and yes I still find his singing annoying. It's a good thing it's a short song. The second song is my favourite. I know I said that I prefered Shamshad Begum's voice to Lata's in the song "Teri Mehfil Men Qismet Azmakar" (Mughal-e-Azam) but at the end of "Doi Koi Gae" Lata's voice really over shadows Shamshad's.

"Mohe Bhool Gaye Sanwariya" is a little less classical but focuses on the melodies and emotion. Lata'a voice is great, in a weird haunting way.

I usually like upbeat tracks, but "Too Ganga Ki Mauj" is an example of a good slow song. My favourite parts are when there is some "snake charmer flute", and I especially like the end when Lata and the chorus sing, even if it's just for a little moment.

In "O Duniya Ke Rakhwale", the background vocals, in the beginning part, really give a kick to the song. Mohd. Rafi's voice is the essence of the tune. Naushad should have put a song like this for Dilip Kumar's caracter in Mughal-e-Azam.

"Insaan Bano" and "Bachpan Ki Mohabbat" don't reach out and get me, there is nothing that special about them."Man Tarpat Hari Darshan Ko Aaj" is good when the drums and party start, it's good.

"Jhoole Men Pawan Ke Aai Bahar" is a good song, very playful. If you watch the clip, at the end of the video they are standing together and you can see the sky. It makes me think of this song (at the end of the clip, as well, you can see the silhouettes and the sky) in Mother india (1957)

If you're like me, and you don't really like Ustad Amir Khan's singing, I find that both "Sargam" and "Aaj Gawat Man Mero" are acceptable. He's not that bad.

For the score I would have given it 4/5, but I gave it 3.5/5 because I am not attracted to listen to this record over and over again. I listen to a few songs from time to time. I know the music is very good, I guess it's just not as good as Mughal-e-Azam, for me anyway. But it's deffinitely worth a listen.

*Update (January 08) Ok, now that I have gotten used to more classical soundktracks, I absolutly love this album. It just took me some time. 4/5!

Tracks:

Side 1
1. Ustad Amir Khan: Tori Jai Jai Kartar
2. Lata Mangeshkar, Shamshad Begum, Mohd. Rafi & Chotus: Door Koi Gae
3. Mohd. Rafi, Lata Mangeshkar & Chorus: Too Ganga Ki Mauj
4. Lata Mangeshkar: Mohe Bhool Gaye Sanwariya
5. Lata Mangeshkar & Mohd. Rafi: Jhoole Men Pawan Ke Aai Bahar
6. Ustad Amir Khan: Sargam

Side 2
7. Mohd. Rafi: Man Tarpat Hari Darshan Ko Aaj
8. Lata Mangeshkar: Bachpan Ki Mohabbat
9. Mohd. Rafi: O Duniya Ke Rakhwale
10. Mohd. Rafi: Insaan Bano
11. Ustad Amir Khan & pt.d.v. Paluskar: Aaj Gawat Man Mero

Lyrics: Shakeel Badayuni

Stella_1's score: 4/5

Get the music now: Naushad Baiju Bawra

Naushad : Mughal-E-Azam (1960)

Even if this is a Bollywood Classic, it took me some time to get into this record, it was my first classical inspired soundtrack. It goes up and down, slow and fast, I was a little confused for what my western ear was used to hearing. But once you get it, you really get it. Evidently, "Pyar Kiya To Darna Kya" is the movie anthem. Naushad is a genius.

Mughal-E-Azam took 10 years to finish (1950 to 1960), so the soundtrack has nothing really from the 60's. Clearly based on northern Indian classical music, you can hear the tabla, sitars and Kathak Ghungroos (Classical Dance Bells). The two last tracks sung by Ustad Bade Gulam Ali Khan, are pure classical, but I'm not sure if I really like them. I don't know if I still need to get used to them or If it's just plain annoying. I don't know ?!

"Teri Mehfil Men Qismet Azmakar", is great, it's a singing battle, woh, and I honestly prefer Shamshad Begum's voice to Lata Mangeshkar's, in the song anyway.

My favorites songs have to be: "Mohabbat Ki Jhooti Kahani", because it just beautiful. "Mohe Panghat Pe" , I just love the sounds of sitars, bells, great vocals (and strangely a piano note just before the singing starts ?!) "Yeh Dil Ki Lagi Kam Kya Hogi" , there is nothing that special about this track, but I just like it. I also like "Aae Mohabbat Zindabad", because it's the only male vocal song I like on the album.

Plus for more info on Mughal-E-Azam, there is a website, because the movie just got rereleased in 2004: Mughal-E-Azam colorized, there is some info on the music too.

Tracks:

Side 1
1. Lata Mangeshkar: Mohabbat Ki Jhooti Kahani
2. Lata Mangeshkar: Pyar Kiya To Darna Kya
3. Lata Mangeshkar: Bekas Pe Karam Kijiye
4. Lata Mangeshkar: Khuda Nigheban Ho
5. Mohd. Rafi & Chorus: Aae Mohabbat Zindabad

Side 2
6. Lata Mangeshkar: Mohe Panghat Pe
7. Lata Mangeshkar & Chorus: Yeh Dil Ki Lagi Kam Kya Hogi
8. Lata Mangeshkar & Shamshad Begum: Teri Mehfil Men Qismet Azmakar
9. Ustad Bade Gulam Ali Khan: Prem Jogan Ban Ke
10. Ustad Bade Gulam Ali Khan: Shubh Din Ayo

Lyrics: Shakeel Badayuni & Naushad

Stella_1's score: 4/5

Get the Music Now : Naushad Mughal-E-Azam

Shankar Jaikishan: Awaara (1951/1975) aka The Vagabond

The first Bollywood Lp I ever got, Awaara is a classic. I can listen to the whole album; all the songs seem to have a little something special. The Shankar Jaikishan team certainly impressed me with my first taste of Hindustani (Indian) music. The hit songs from Awaara are “Ek Do Teen” sung by one of my favorite, but unusual voices, Shamshad Begum, and “Awaara Hoon” the title track. The songs that I really enjoy, well ….wait….I really do like all of them. Ok then, so the one I like the least is “Naiya Teri Manjhdhar” because it’s just not that pretty to listen too then the others. But the last track, which is actually two songs but intertwined, ”Tere Bina Aag Yeh Chandni” and “Ghar Aaya Mera Pardesi” is especially impressive. The song takes us on a 10 minute ride into the fantastic imaginary world of the protagonist, a dreamlike world that with the help of Lata’s voice is very haunting. Manna Dey then takes over with the drums for the nightmarish part, and then Lata comes back with the dark but hopeful “Ghar Aaya Mera Pardesi”. The screaming at the end is a forerunner to what will come in Bollywood music in the 60’s and 70’s.


*Extra*: Something I Noticed About the Movie

I put the videos for fun, but some have English subtitles, so you can understand (unless you already speak Hindi). It was interesting and I was surprised at the directness in the song "Dam Bhar Jo Udhar Munh Phere" about sex, and towards the fact that they say they want to make love to each other and probably do. You would have never seen that in a popular American musical in the 50's. There is some sexual tension, at the end of "Ab Raat Guzarne Wali Hai" and I also have a supplementary clip that I found on you tube that either proves that Nargis and Raj Kapoor (the principal actors) were very good actors or were fery good lovers. You decide, and tell me what you think about the music and the clips.

I won't always do this but since it is easy to find all the clip for Awaara, I put them beside the track listing.

Tracks:

Side 1
1. Title Music videoclip
2. Mohd. Rafi & Chorus: Naiya Teri Manjhdhar
3. Shamshad Begum: Ek Do Teen videoclip
4. Lata Mangeshkar: Jab Se Balam Ghar Aae videoclip
5. Mukesh: Hanste Bhi Rahe Rote Bhi Rahe videoclip

6. Lata Mangeshkar: Ab Raat Guzarne Wali Hai videoclip

Side 2
7. Mukesh: Awaara Hoon videoclip
8. Lata Mangeshkar & Mukesh: Dam Bhar Jo Udhar Munh Phere videoclip
9. Lata Mangeshkar: Ek Bewafa Se Pyar Kiya videoclip
10. Lata Mangeshkar, Manna Dey & Chorus: Tere Bina Aag Yeh Chandni
11. Lata Mangeshkar & Chorus: Ghar Aaya Mera Pardesi videoclip (for song 10 and 11)

Lyrics: Shailendra and Hasrat Jaipuri

Stella_1's score: 4.5/5

Get the music now ! : Shankar Jaikishan Awaara